Are You Listening- Kopecky Family Band

The Kopecky Family Band has what some in the merch business call “The Great Unknown Bounce”.  Let me explain what this means. First is that the band is great, and trust me this band easily meets that criteria. The “unknown” is that because they are a band that is getting popular, they are at a stage where they are opening for more well known bands. Probably more people are coming to see the headliners than the support acts. The “bounce” means that many times they are outselling the headliners at the merch table because they are so impressed by them. Many people may already have merch for the headliner and when you hear a band that is so good, you want the merch to remember and support them. Then you can say when they become a headliner that “you knew them when” and have the merch to prove it. I recently had the privilege of working the merch table and the Kopecky's outsold the headliner. I love it when people come to buy things at the table and you hear “Wow this band is so good, they are going to be huge.”

The Kopecky Family Band is not a family in the sense of being related by blood. They consider themselves a family because they work and tour together and have to support each other. They are based out of Nashville and met each other while in college at Belmont University in that city. Kelsey Kopecky and Gabe Simon formed the band back in 2007. The rest of the band consists of Steven Holmes, David Krohn, Markus Midkiff, and Corey Oxendine. They write what I would call Indie rock-folk and pop song mix. They have a sonic music palette. Not only are the songs catchy and stick in your head, but it is all done with intelligence both musically and lyrically. You will hear the standard bass, drums, and guitars but it will be interspersed with cello, lap steel, horns and keyboards. There are places in their live show (which is great!) where they switch instruments, but don’t lose the flow of building the show. To top it off they have killer male-female harmonies that will send goose bumps up your arm.

Between 2007-2010 they released two EP’s on their own and then a full length Kids Raising Kids. The record label ATO  signed the band in late 2012 and re-released the Kids album this past April. It has received a lot of great press from blogs, music magazines, and critics. Here is "Are You Listening" from Kids Raising Kids:   

This is a band I believe next year won’t need the Great Unknown Bounce because they will be the headliners and people will know who they are. To prove that this is a band on the upswing, the night before I worked the merch table for them, they made their major television debut on the Jay Leno show. But until they headline, please make sure you see them so that you can be the person who can say “ The Kopecky Family Band..oh yeah.. You’re just hearing about them.. Not to brag but, I knew them way back when.” 

Jason Isbell's Southeastern Gem

We've all heard the tragic tales of the singer/songwriter/musicians who finds their muses in alcohol or other mind-altering substances. The all-star list of the tragically lost includes Janis Joplin, Jimi Hendrix, Harry Nilsson, and Amy Winehouse. Too rarely do we learn of an artist who has the personal courage to overcome addictions and grow as an artist. So, I joyfully celebrate in this post someone who has  faced and conquered his addiction to create some his best and most deeply honest work.

As I wrote in a previous Audio-didact post  I have been a fan of the music of the Drive-By Truckers for many years. What I did not share at that time was the concern I felt about the conspicuous amount of drinking that the band engaged in onstage, seemingly as part of their show, when I saw them perform in 2004.  Early in the evening, I thought it was kind of cool that the band members were symbolically sharing a bottle of liquor.  Before long I hoped the bottle of Jack Daniels that was still being passed around was just a prop.  Several hours later, as my co-blogger and friend Fletcher McNeill and I left the show,  the band was still "performing," but doing so poorly, and the band members seemed to be, for wont of better term, not themselves.

It was through the DBT's music, that I became introduced to Jason Isbell's playing, singing, and songwriting. In Reviewing Southeastern, Isbell's new solo album, Paste's Jerrick Adams rightly points out that while not many of Isbell's songs made it onto DBT albums during the six years he played with them, those that did are great songs. Adams point out that among the eight that made it onto DBT albums during that time are "'Outfit,' 'Decoration Day' and 'Goddamn Lonely Love' ... so good that they rank toward the top of not just Isbell’s discography, but DBT’s as well."

Jason Isbell was born in Greenhill, in northern Alabama near Muscle Shoals, in 1979. Outside of his immediate family, most of his family members were musicians. Isbell became interested in becoming a musician at a young age. He was married to the DBT bassist Shonna Tucker during most of the time he played with DBT. The two are now divorced. In February 2013, Isbell married songwriter Amanda Shires, who helped him get sober. 

Throughout Southeastern, Isbell deals with drinking, loss, pain, and love.  His writing has not lost any of its edge.  If anything, the edge with which he writes is even sharper.  Consider, for example, this segment of lyrics to "Elephant":

She said Andy you're better than your past,
winked at me and drained her glass,
cross-legged on the barstool, like nobody sits anymore.

She said Andy you're taking me home,
but I knew she planned to sleep alone.
I'd carry her to bed and sweep up the hair from her floor

Southeastern is an incredibly personal and powerful album.  I find myself thinking a great deal about its stories.

Here is a video of Isbell performing Southeastern's "Stockholm" on the Letterman Show from July 23, 2013:

Isbell was also recently featured on NPR's Fresh Air.  What a terrific album, and what an inspiring personal story.

You Should Find This Band- The National

The National  may be one of those bands you have never heard of. However their fans sure know who they are and support them all over the world. They typically will sell out the summer amphitheaters and large auditoriums that hold between 3,000-10,000 people. I am sure you are asking yourself “How come I don’t know them?”  Well it is time for you to jump on The National bandwagon. You are always welcome.

The first thing you notice about the band is that they are mostly in their 40’s and by looking at them, you would not think they are world famous rock stars. This indie band now working out of Brooklyn was first formed in 1999 in Cincinnati where they were in college. So you can see they have worked their way slowly to the current success they are having. The band presently consists of Matt Berninger who is the principle song writer and singer. It also features two sets of brothers, Arron and Bryce Dessner and Bryan and Scott Devendorf. Their sound is one of the bands who have helped define indie rock. It is dark and melancholy and many times the lyrics may be confusing as to their meaning. They have a mystique about them and this has only helped to keep their indie cred through all these years. The band put out a few highly regarded albums off the Beggars Banquet label. Their fourth album Boxer gained a lot of critical acclaim after its 2007 release. The next album released off of the 4AD  label was High Violet in 2010. Many critics had it on their top albums of the year and it has sold over 600,000 since its release. This is the album that turned me on to this band. I wondered at that point why I had never heard of them before. The National just released Trouble Will Find Me this past May. It actually reached number 3 on the Billboard chart, which shows how far they have come. Here is  “Don’t Swallow the Cap” from the new release:

I can attest to the strength of this album. If you are a National’s fan and haven’t picked it up yet, go now and purchase it. If you don’t know who they are but liked the song, run to your nearest record store and get it. They are touring all throughout the world so check out their web site and see when they are coming near you. I also will leave you with one of my top 10 favorite songs ever, “Bloodbuzz Ohio” from High Violet:

There is also a new documentary called Mistaken for Strangers made by Matt Berninger's brother Tom. Tom, a self described metal head who needed to get his life together, went out on tour to film what life on the road was like for a major band. He also wanted to find out why his brother was so loved by critics and fans. The movie is both funny and poignant and shows a lot about the differences in the two brothers. I hope by reading this post you will be encouraged to go jump on the National bandwagon. It is never too late.

They Will Do It Themselves- The Lone Bellow

I wondered how the country-gospel-soul sound on the album would translate live for the band, The Lone Bellow. Their harmonies are so lush, rich, deep, clear and full, I did not see how they could do it live. One of the great advantages of working the merchandise tables for bands coming through Baltimore, is I am there early and usually get to hear the sound check. I had fretted for days before the show worried about the live sound. All my worries went away the second they started to play. Their harmonies are the “send chills up your spine” variety. They mesh together like they have been singing with one another their whole lives. Some bands just have “it” and The Lone Bellow is one of them.

The song lyrics came from Zach Williams journal entries after his wife had a catastrophic injury after being thrown from a horse. The doctors said she would never walk again. Zach poured his heart and thoughts into this journal and a friend of his encouraged him to turn them into songs. His wife miraculously recovered and his songs went from pain and despair to redemption, rescue and recovery. Zach and his wife moved to Brooklyn and Zach began to perform as a solo artist. Zach was looking to form a band and he was eating at a diner when he ran into an old musician college friend, Brian Elmquist, who worked there. He asked Brian if he could rehearse some songs with him at the diner after it closes. Brian said sure and also invited Kanene Pipkin along. Late that night The Lone Bellow was formed. They knew the magic of the music and harmonies would tie them together as they go forward in the music business. Very quickly good things have happened to them. They were signed to Descendant Records, which is an off shoot of Sony Records, and released their self-titled album in January of this year. It has created a lot of buzz in the indie rock world and deservedly so. It is full of beautiful songs about all the ups and downs of life that they have gone through. Please be prepared to be amazed and enjoy the single "You Never Need Nobody":

The rest of the album is just as strong as that song. I highly recommend it to anybody. I loved listening to them live and wasn't disappointed at all in the translation from album to live show. As a matter of fact I think their live show only strengthens the studio songs. If it makes any difference, they are also really nice and genuine people. They were a pleasure to work the merch table for. Many bloggers are catching on to this band quickly, so I expect that they will have quite a year in 2013. I was talking to one of them and they told me they are just hoping to make enough money to be able to really afford their Brooklyn brownstones. I believe that they will easily accomplish that task this year and more!!

Update: From time to time Larry and I will post some updates of bands we have previously written about. I wanted to inform you of two amazing albums that are out and one that is out next week. The first is Vampire Weekends Modern Vampire of the City. A real step forward in this bands already amazing career. The second album out is Dawes newest Stories Don't End. It is full of reflective songs of a band on the road. Portugal the Man newest is Evil Friends. I have heard most of it and it is fantastic. By the time you read this it will be released.

This Rose Is No Stand-In

It begins with the sound of a heavily punched and distorted guitar chord immediately followed by the sound of a gorgeous female voice exclaiming, "I'm making a call to any line that's open." From that moment on, Caitlin Rose captured my full attention, no easy task these days, and thus I remained riveted as I listened intently to her second full-length album, The Stand-In, for the first time.  The opening track, "No One to Call," starts off like a rock anthem, but quickly and adeptly morphs into an alt-country lament. Much to this listener's delight, this album is full of delightfully surprising sounds.

Throughout the album, Rose creates, with a cool aplomb, a mosaic of musical styles including rock, alt-country, country, and a bit of swing. The stories in her songs are compelling and deftly written. Scanning the credits, I note that two of this album's terrific tracks, "Only A Clown" and "Silver Sings" were co-written with one of my favorite songwriters, Gary Louris.

I also note that Rose acknowledges the author Joan Didion for inspiring the moving tune, "Pink Champagne." An early Joan Didion essay, "Marrying Absurd," about the quick passions of a Vegas wedding, proves to be the source for Rose's song.

Throughout the album, Rose and her co-writers create an album full of meaningful and witty musical lamentations. A prime example is the music video to "Only A Clown":

It's easy to see how Rose was drawn into songwriting. It's what her mother, Liz Rose, does for a living. The younger Rose was raised in Nashville.  She began writing songs at the age of 16.  Originally, her work was much more Punk influenced.  Over time she has integrated increasing amounts of the Nashville sound into her music,  and the resulting sound is what is revealed on this album.

I encourage you to answer Caitlin Rose's call and open your line to her music.  Her album is easily one of my favorites so far for 2013, and I expect that it will be in the running to be one of my top albums of the year.